Adobe Photoshop CS3 Extended: Retouching Motion Pictures by Gary David Bouton

By Gary David Bouton

Adobe Photoshop CS3 prolonged: Retouching movies is a hands-on, tutorial-based consultant choked with real-world examples that run the gamut from video recovery to visible and lighting tricks, eco-friendly reveal and cut up monitor composite paintings, and integration of 3D content material from purposes similar to Luxology modo, 3D Studio Max, and Cinema 4D. New positive factors are completely documented, and the e-book is equipped in a realistic chronology, from uploading electronic video and different pictures in your computing device, to operating with clips in Photoshop, to results paintings, to rotoscoping and animation, to development advanced composite paintings on layers, and at last to generating, exporting, and archiving your paintings. Written from a Photoshop user's standpoint, Adobe Photoshop CS3 prolonged: Retouching movies makes retouching video pictures a transparent, forthright, and foolproof exercise. research what you must learn about NTSC and dossier structure criteria, fps premiums, pixel sizes for electronic video, and extra to make the following logical stream on your content material construction paintings, whereas operating in a favourite and normal program.

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Extra info for Adobe Photoshop CS3 Extended: Retouching Motion Pictures

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All is well, though; you change your view of data and not the data itself as a rule, because changing data usually creates a permanent and often unwanted change. 5. Because I need you to trim to specific start and end points in this document, click the flyout menu on the Animation (Timeline) palette, choose Palette Options, and then click the Frame Number button. Click OK to apply the change. 9. 9 Choose to display the timeline increments in frames to better locate a specific point in the footage.

Dropframe timecode Standard timecode When playback on the timeline is in time (as opposed to frame) display, the delimiters between hours, minutes, seconds, and frames are displayed in one of two ways, depending on the media you have placed. 97 frames per second is the National Television Standards Committee’s (NTSC) standard for broadcast frame rates in North America, Japan, and several other countries. 8. 97 fps was devised to reconcile the differences between black-and-white and color TV broadcasts.

Then click OK. 2. The following dialog box informs you that Pixel Aspect Ratio Correction Is for Preview Purposes Only. 9 units wide. So the video of Domino is going to look weird, but it would not look weird when broadcast on television because TV sets compensate for the non-square pixel aspect ratio. For now, I’d recommend that you check the Don’t Show Again checkbox and then click OK. Just remember the View command described in Step 4 whenever you work with video that will be played on a TV set, either from the airwaves or from a playback device such as DVD.

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