After Effects and Photoshop: Animation and Production by Jeff Foster

By Jeff Foster

"Jeff Foster has created the single fundamental and definitive creation consultant to 2 of the world's maximum symbiotic instruments: After impression and Photoshop."—Jack H. Davis, coauthor, the Photoshop Wow! books and the way to Wow: Photoshop for PhotographyNothing beats the tight synergy of After results and Photoshop for growing professional-level results, and not anything beats this e-book for displaying you ways Hollywood pros particularly use those programs.In this moment variation to his bestselling publication, television and picture photos veteran Jeff Foster offers all-new info on After results 7 and Photoshop CS2—plus accelerated assurance of blue/green screening and titling, appealing new pictures, and leading edge real-world recommendations for cutting-edge execs. larger than ever, this must-have reference continues to be the single advisor that exhibits the right way to use those superpower courses jointly to accomplish specialist results.The DVD contains construction fabrics, third-party plug-ins and filters, and inventory video. you will additionally locate undertaking documents and pictures to compliment each one of the book's initiatives, which require After results 7 or later.Learn what the professionals recognize, together with how to:Add intensity in your animation through mimicking genuine motionGrab your audience's realization with artistic movement titlingShoot a fresh blue/green screenApply 3D animation to second imagesRemove backgrounds with blue-screen rubbish mattesRetouch body by way of body with rotoscopingConstruct real looking composites and locales with matte paintingMake video clips from stills by means of simulating 3D digital camera motionProduce lifelike results resembling noise, clouds, and smokeNote: CD-ROM/DVD and different supplementary fabrics usually are not incorporated as a part of booklet dossier.

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Extra info for After Effects and Photoshop: Animation and Production Effects for DV and Film, Second Edition

Example text

Select the film reel layer, right-click/Ctrl+click it in the Comp 1 window, and select 3-D Layer from the contextual menu. This will convert the layer to a 3-D layer, using the transparent space of the Photoshop layer as the defining edges in 3-D. 2). 2 Converting the layer into a 3-D layer will allow it to be moved along the X-, Y-, and Z-axes. To make the third dimension more predominant, we’ll add the ability for this layer to cast shadows when we shine a light on it. Drop down the settings for the layer in the Timeline window, and open Material Options.

See Chapters 10–12 for more projects utilizing this concept. Chapter Contents Basic Layer Transfers Transferring Layers with Style Effects Displacement Maps: Static Layers in Motion P H O T O S H O P L AY E R S A N D A F T E R E F F E C T S can become 20 moving layers in After Effects. qxd 1/25/06 2:25 PM Page 28 Basic Layer Transfers Virtually any Photoshop file with multiple layers can be imported into After Effects with all of the layers separated—but there are a few rules to consider before attempting this process.

All of your layers will remain intact and in the proper hierarchy. You can easily edit a file once it’s imported into After Effects. Click on any layer in the Project window and select Edit > Edit Original (F/Ctrl+E). This will launch Photoshop and open the file for editing. Once you’ve made your edits in Photoshop, save the file. Go back to your After Effects project, and select the layer(s) of the edited file and choose File > Reload Footage from the menu (Shift+F+L/Shift+Ctrl+L). This will update the entire project with the edited layers, so there’s no need to reimport the file or start over again with a new project.

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